A,E,I,O,U Kings 4 U

giloy plant


swine flu tips are here and he says h1n1 influenza can be cured through the Yoga and ayurveda. Swine flu ayurvedic medicine – Gilloi was indicated by him as cure and prevention of swine flue.

Baba Ramdev on swine flu has given some tips for the concerned Indians who read reports of death due to swune flue everyday. Renowned yoga guru Baba Ramdev has prescribed Yoga as a cure for the disease.

Talking to reporters Baba Ramdev advised people to practice yoga as a preventive measure against swine flu. He indicated that people with strong immune system cannot be affected with swine flu. And through yoga and pranayma, you can keep your immune system particularly the respiratory system strong.

Here is what Baba says about cure of swine flu

• Baba Ramdev has recommended a plant named Gilloi or giloy plant herb which can be both, a preventive measure as well as a cure for Swine flu as it makes the respiratory and immune system strong

Here is what Baba Ramdev advises to prevent Swine flu

• Practice Yoga everyday
• Pranayam helps in increasing immunity so do Pranayam every day
• Include Kapal Bhati, Bhastrika and Anulom Vilom in your routine
• Babaji has also advised people to use facemasks while in crowded places.

Once in a particularly blue moon, comes a film that makes you wolf-whistle. One that then ties you to the edge of your seat and forcibly pins you there and pounces on you, eventually leaving you sitting in the dark, drained and grinning and more satisfied than a film has any business leaving you. This, ladies and gentlemen, is that kind of ride.

And way more.

Vishal Bhardwaj reinvents the filmi rollercoaster with feverish glee as he takes a wonderfully twisty plot and paces it flawlessly around a bunch of madcap, irresistible characters. It takes nearly twenty minutes to get used to things, the characters, the words they speak, they way they speak them, and the tone of the film -- heck, to get used to this film's world. Then on, the film just freakin' flies.

Yet before getting into the breakneck chaos, it is this unapologetic figure-it-out stance that we must initially applaud. Too often are our caper films and thrillers compromised by oversimplification and spoonfeeding, by filmmakers believing audiences need things spelt out and giving them bite-sized flashbacks to easily digest each twist. No more, says Bhardwaj, throwing us a delicious jigsaw and letting things fall into place in their own sweet time. The result is startlingly clever, an innovative film with genuine surprises. Kaminey is the kind of film whose success we ought all pray for, because it'll prove smart cinema works.

So delicious is the movie's gradual unravelling that I refuse outright to let you in on the plot itself -- an enthralling tale of drugs, deceit, dingbats and dead-ringers -- because you need to discover this on your own. Go in as fresh as you can, you deserve to taste this one by yourself. Letting on what actually happens would make me one of the film's titular knaves.

Suffice it to say that Tassaduq Hussain, who also shot Vishal's brilliant Omkara, does it more than adequate visual justice, and the largely-handheld film emerges very stylistic indeed. It's fast, funny and constantly rollicking, and the characters are spectacularly entertaining.

As is the cast. Shahid Kapoor plays Guddu the stutterer and Charlie with a lisp, saying f for every s, and does strongly enough to credibly seem like two different people; Priyanka Chopra's delightfully high-strung Sweety pulls off hysterical Marathi with impressive fluency. Yet it is the ensemble of fantastic oddballs who truly make this film special: from Amole Gupte's demented Santa Claus routine as Maharashtra-lovin' gangster Bhope Bhau to Chandan Roy Sanyal's lethally capricious coke-lover Mikhail, from Shiv Subrahmanyam's helpless corrupt cop Lobo to Tenzing Nima's ludicrously likable drug-smuggler Tashi -- the film is full to the brim with splendidly unfamiliar faces, each of whom deserve a hand, not just the ones singled out here.

And Vishal generously gives each character their time in the spotlight. Guddu heartwrenchingly recounts his middle-school love, while Sweety captures beer-driven arousal with charming realism. Bhope bribes a big-eared nephew with chocolate, while Lobo coaxes the stutterer to give a police statement through song. The Bengali gangsters shoot bullets near each other for laughs, while the Marathi ones are transfixed by Guddu-Sweety screensavers on a laptop. Charlie unwraps a cellphone from plastic as he tries to placate gangsters, while -- in an extraordinary moment -- Mikhail sets the screen ablaze as he staggers in on the same gangsters, high on coke and unpredictable as a broken roulette wheel. There's so much to marvel at in these characters that it isn't funny. Oh wait, it is. Very.

What raises this rambunctious gangster movie head and shoulders above its genre is the writing. The wordplay is constant, subtle and absolutely exquisite -- a tough ask when one hero trips over words and the other narrates -- yes, narrates -- with a lisp. And there's a witty duality running through the film's twin tales: a character barks into a phone, and this sound echoes later when someone pleads in front of Bhope, daring not to take his name but just calling him repeatedly big brother, "bhau-bhau"; Mikhail introduces himself to Bhope by calling himself Tope Bhau, and nearing the climax Bhope is told by another that they have 'topein' (cannons) too; when Mikhail wins a race, arriving just in time, he breaks into the Spiderman theme -- and Charlie responds with Fpiderman-Fpiderman. When a character wants to steal a king's ransom in drugs to help a pregnant woman, another snarls back: 'Toh kya meri coke ujaadega?' Ha. It's nuanced, lovely writing, the sort we never get to see in films nowadays.

Bhardwaj has never been secretive about his Quentin Tarantino adoration, referencing the director in Blue Umbrella and doing it here again with high heels and an injection. While Tarantino exclusively uses music he already loves because he doesn't trust anyone to create anything as good, Bhardwaj has always done it all himself, writing, directing and composing -- not to mention singing, and its worth noting the slight s/f lisp he gives the film's magnificent title track when it plays on screen. Yet here he takes a leaf from QT's book and brings back the saucy RD Burman track 'Duniya mein logon ko' (from 1972's Apna Desh) and makes it his own, giving it sassy new context out of its dated backdrop -- no more Rajesh Khanna in a red suit, this song is now all Shahid.

So the film leaps through implied ultraviolence and dark humour and you hold on, exhilarated -- just as you have through, say, Guy Ritchie's Lock Stock And Two Smoking Barrels. And while that itself would be no mean feat, Bhardwaj ups the ante with an audacious climax, suddenly bringing emotions right to the fore.

And while films of this ilk are full of disposable-bodies and corpses-in-waiting, one discovers that Vishal has -- sneakily, stealthily, surreptitiously -- kept the sentiments so darned real that by the time the climax rolls around, you do actually give a damn about these characters.

Wow. Now if that isn't kameenapan, I don't know what is. Awefome.

Rediff Rating:

Big Bazaar, the largest chain of hypermarkets from Future Group has once again come up with their special Independence Day offer of Mahabachat for five days from August 12 to August 16, 2009 at its all 116 Big Bazaar outlets across the country.

“With an aim to provide the best shopping deals and savings to consumers, Big Bazaar is all set to make this year’s Independence Day weekend shopping truly memorable with the best deals and mega offers leading to great savings. Apart from Big Bazaar stores, Mahabachat offers will also be available at all Furniture Bazaar, Home Bazaar, Navaras and One Mobile outlets. To avail of exceptional offers on over 1.6 lakh products, over 55 lakh consumer footfalls are expected across all 116 Big Bazaar stores,” Rajesh Tawde, store manager,” said at a press conference here.

“Big Bazaar’s ‘five-day Mahabachat’ will have an exciting array of attractive offers and discounts. From daily household needs of food and grocery to apparel, footwear, toys, luggage, kitchenware, bed and bath ware, home décor, furniture, electronics, find gold jewellery and more, Mahabachat will ensure there is something for everyone in the family, to shop,” he added.

“We get in touch with our vendor partners and together work out the offers. We buy our goods in bulk, and thereby pass on the savings to our customers. This year’s Mahabachat is bigger with attractive offers for every household,” Tawde said.

During ‘five-day mahabachat’ last year, total sales of Rs. 350 crore were generated from all retail formats of Future Group.

Cast: Raviteja, Nayanatara, Sonu Sood, Brahmanandam, Brahmaji, MS Narayana, Dhandapani, Jayaprakash Reddy, Kota Srinivasa Rao and others.
Action: Ram-Laxman.
Banner: Parameshwara Arts.
Cinematography: Ravindra Babu K.
Dialogues-Lyrics: Bashasri.
Editing: Marthand K. Venkatesh.
Music: Thaman S.
Presenter: Siva Babu.
Producer: Ganesh Babu.
Story, Screenplay, & Director: Parasuram (Bujji).
Release Date: August 12, 2009

He is the same director, a debutant who made Yuvatha in which Nikhil has imitated Raviteja from start to finish, exuded energy and was quite successful. The film did well. What if the same person directs the original hero, how will the film shape up, was the question on everyone's mind. Raviteja had absolutely no doubts on the director and even said the movie will be a sure-shot hit. It is beyond everyone's imagination how Raviteja like a rechargeable battery comes up with the same intensity film after film. A restless soul, he keeps the audience hooked to his expressions, antics, gimmicks and does half the comedy in the film.

Unlike other heroes who make the audience wait for entertaining movies, Raviteja had been coming up with films in quick succession and all of them have been a treat to watch. In this film he plays the role of a guy who works for a TV channel whose TRPs keep sinking and suddenly due to a personal calamity becomes an undercover agent, with the help of a reporter in the channel exposes the criminal activities of a home minister, an MLA and a goon who are responsible for the huge set back in the hero's life.

"Eppudaina aayudham avasaram lekunda vadakoodadhu. Oka vela vadithe guri thappakoodadhu," is what Anajenyulu says and beats the pulp out of the villain who ties to stab him offguard. The action scenes are entertaining too. Kota Srinivasa Rao impresses with his Telangana dialect again, Dhandapani, JP, Sonu Sood do the needful.

However the parents-son relationship look a bit unnatural. Anjaneyulu doesn't have a fresh story. We have seen such films before but what makes it interesting is the narration, the screenplay and the consistent energy and entertainment with which Raviteja has packed his performance. Songs are just about okay, technically a fine film and story-wise fun to watch. It has little bit of everything that a formula story demands.

A good beginning for Ganesh the comedian-turned-producer and a few stars more for Parusuram, the director who didn't complicate things for himself or the audience and Raviteja..he has 'kick'-started his career again.